PROFESSIONAL FASHION AND TEXTILE PROCESS - EMILY
IVES
FINAL MAJOR PROJECT PROPOSAL
Brutality. Violence. Fear. These are words that
spring to mind when Hells Angels is discussed. For my FMP, I hope to capture
the essence of biker gangs, with their morals, dress, and tattoos, while
challenging the concept of beauty and femininity.
The collection will suggest the grimy nature of the
biker gangs teamed with a feminine element- introducing a more tailored/ cropped
approach. The outfits will be made up of deconstructed garments (leather
jackets/denim jackets/jeans) and material found in charity shops, off cuts etc.
The found materials will then be taken apart, aged, manipulated to create
panels, details, and reconstructed garments for the overall jacket. This second-hand
approach will give the collection a vintage, aged feel. The idea of using
material from other garments to create new is much like the process a shed
built bike would be built in- taking old parts, revamping them and creating a
new more exciting outcome. Rough and ready. Through doing this and
reconstructing typically male garments, I will be able to play around with the
silhouette and create something more typically feminine, but still including
the grungy, edgy feel.
The main elements of the collection will include
deconstruction, tying and knotting, and garments made from scratch.
I hope to be able to develop my own drawing/
painting style throughout, from primary research, to then be painted onto the
back of jackets, with the inspiration coming from biker gangs and their patches
on the back of their jacket. The artwork for painting onto jackets will be
explored through drawing and developing, such as blowing up images and drawing
and painting only a section large scale on the garment. This is where the
tattoo element comes to play. I want to use tattoos as a way of suggesting the
modern change and evolution of beauty, how it’s now seen as beautiful or sexy
for women to have tattoos. But can their beauty be disrupted by how many
tattoos they have? I will intend to suggest that they have evolved from being a
biker/gang symbol, to something that can be more accepted within today’s
society. The tattoo idea will take place in the form of painting on the back of
jackets- more is more- I will go all out, painting extravagantly, studding,
embellishing and embroidering. It will be mixing pretty paintings and battered
leather.
Embroidery will be used in a creative and exciting
way, perhaps by exaggerating stitches found on biker wear, using different
materials to embroider with or building up a more solid image with embroidery.
I could even consider creating patch style embroidery. Found embroidery may
also feature, with it being cut up and stitched back on.
My primary research will stem from the Tom Brannigan
‘Everlasting’ exhibition at the Minories, in which he created typical tattoo
groups using 3D objects. I will explore form through drawing skulls and roses,
things typically seen on biker gang members, however take a different approach
using different inspiration for the tattoos. Detail and shape will be explored
through drawing big skull jewellery, chains, biker wear and details on existing
garments, and motorcycles (shape, engines, text etc), but contrasting it with
the feminine floral shapes found from tattoo inspiration.
Secondary research will stem from Biker gangs, the
Hells Angels, particularly in the 1960s when the gang was especially well
known. The element of rebellion will be explored, but also their loyalty to the
gang. It will also come from tattoos,
and the stigma attached to them. How they are now becoming more accepted and
seen as art forms, seen as beautiful. These elements, teamed with florals and
flower shapes to suggest garment ideas, will be the starting point of my
collection.
Through experimentation and developing on the skills
already learnt, I will be using embroidery and embellishment. Different
materials to embroider will be used, thicker thread, leather cord, string, to
create a more exciting approach. Pushing the boundaries as to what can be used
for embellishment, keeping in with the theme of bikers- bolts, keyrings,
eyelets, studs. It will be about building up the garments, and for the dramatic
look I intend to have, the more on the garments the better, it can’t be
halfhearted. Trims, lacing, frills, tassels. New skills will include
reconstruction, and having a vision to create a new garment from old. Styling
will also be key, it’s going to be a lot of hunting for garments and fabrics that
could potentially work together, and adding embellishment, painting and
embroidery to really make the collection stand out.
The idea of deconstructing may be more difficult than
first thought. It is difficult to design a finished outcome without already
deconstructing the garment, but through experimentation an idea of silhouette
and the nature of the garment will be explored. It will be very much a hands-on
project, and ideas of final outcomes will be gained from actually doing, and
then recording the process. It will also take imagination when sourcing the
vintage materials- I will have to have vision and idea as to how the garment
could be transformed and the boundaries pushed. It will be a completely different
way of working, but one I am excited about.
Budgeting will be considered throughout FMP. Fabrics
purchased new for the made garments will be at a lower cost (still maintaining
quality), however the vintage garments sourced will hopefully be kept cheaper.
This is down to a personal choice, but the use of second hand and vintage
clothing to be transformed is one that fits with the running theme. I aim to
spend around £250-£300 on my final collection – a fraction of what other
collections could cost. It will not affect the quality of my final pieces, I believe
it will enhance my collection as everything will be thought out and considered.
My audience/ target market
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Female
-
20-30
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Grunge, vintage style, but
also has a passion for dressing up extravagantly. Has a unique style but likes
to push boundaries.
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Prefers second hand to
shop bought, they are one off but it is also a more conscious approach to
buying clothing.
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Loves her music, gigs,
festivals
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Lives life to the fullest,
dreams big, has no fear, risk taker
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Motor head
My Market
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AW17
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